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The Sculpture Collection of the National Archaeological Museum is considered to be one of the most important in the world. The main aim of the display is to present the development of Greek sculpture from the origins of large-scale sculpture (seventh century BC) to the Late Roman period (fourth century AD). The exhibits are unique works of art from mainland Greece and the Aegean islands: statues, reliefs (funerary, votive, and legal), architectural groups, sarcophagi, busts, altars, statues of animals, Hermaic stelai and others (sirens, sphinxes etc). Several vases and bronze figurines complete the display; these help to explain the development of ancient Greek art and enable the visitor to fully appreciate the various periods and styles through a variety of artefacts.
The display, which occupies about 4,000 square metres on the building's ground floor (Rooms 7-34), is set out in chronological order to illustrate the development of sculpture from with the first, austere and conventional shapes of the Archa?c period to the realistic, dramatic figures of the Hellenistic period. It concludes with the personalized rendering of facial features in Roman portraiture. Within this chronological framework, many of the sculptures are also grouped by type and category (Archa?c and Classical funerary monuments, Archa?c kouroi, votive sculptures from Attic sanctuaries and Roman emperors), while special rooms are dedicated to Classical funerary, votive and legal reliefs, and to the monumental architectural groups of the temples of Aphaia at Aigina, Hera at Argos, and Asklepios at Epidaurus.
Recently, special emphasis has been given to the display of some relatively new important acquisitions, such as the Frasikleia kore and the Aristodikos kouros, while a new sense of space around each sculpture was created by their repositioning.
Explanatory texts, maps and photographs complete the display and provide the visitor with accurate and comprehensive information on the sculptures, as well as basic information on the historical and social framework which gave birth to the art of large-scale sculpture. The new display adheres to current museological attitudes and practices, which promote the museum's educational role by presenting works of art within their historical context.
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